{"id":41,"date":"2024-11-16T03:11:22","date_gmt":"2024-11-16T02:11:22","guid":{"rendered":"http:\/\/completeorganbach.zanovi.eu\/o-tvurcich\/"},"modified":"2024-11-22T20:15:38","modified_gmt":"2024-11-22T19:15:38","slug":"o-tvurcich","status":"publish","type":"page","link":"https:\/\/completeorganbach.com\/en\/o-tvurcich\/","title":{"rendered":"Authors"},"content":{"rendered":"
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JAROSLAV T\u016eMA<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tJaroslav T\u016fma (1956). Renowned concert organist of international stature, professor at the Academy of Performing Arts (AMU), and multi-instrumentalist. He plays harpsichord, clavichord, pianoforte, and other keyboard instruments, composes, and publishes scholarly articles. He studied at the Prague Conservatory and then at AMU, winning first prizes in several competitions (Nuremberg 1980, Haarlem 1986, Linz 1978, Prague Spring 1979, etc.). He performs and teaches worldwide. He has released 64 solo titles (Supraphon and Arta Records). More information at https:\/\/jaroslavtuma.cz\/<\/a>.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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ALEXANDR VOJTA<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Director and currently one of the few truly independent filmmakers and video creators. He has produced dozens of recordings of musical performances, created a project for Czech Radio focusing on Early Music, and directed several feature films (Candidates, 2010, 76 min; Bloody Parliament, 2012, 84 min), more than ten documentaries (e.g., Path to Music, 38 min), and a seven-part satire, Martian Chronicles. He collaborates with the ensemble Musica Florea to record authentic interpretations of Anton\u00edn Dvo\u0159\u00e1k's works.
He runs multimedia projects such as The Secret of Tones<\/a>, Debating Club<\/a> or Beer Shed<\/a>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Notes from Jaroslav T\u016fma<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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How long does it take to learn all of Bach\u2019s organ works?\u00a0<\/span><\/em><\/p>

It took me several years. Initially, during my studies at the Prague Conservatory and the Music Faculty of AMU, and after a break where I focused mainly on other repertoire, I spent another four years on intensive self-study. I then dedicated myself to all of Bach\u2019s works over three concert seasons from autumn 1990 to spring 1993. I performed all of Bach's compositions in two churches in Prague during twenty-one concerts. Even today, I still meet people who used to attend my concerts and remember them. But with Bach, we are never truly done! Whenever we have to play something again, we continue to work on it. So the correct answer is: more than fifty years. Whether that time has positively reflected in my results is for others to judge.<\/span><\/p>

How and how long did the recording at Svat\u00e1 Hora take?<\/span><\/em><\/p>

Everything except for The Art of Fugue and a few minor pieces was recorded during COVID in 2020; it realistically took nine months from March to November, with a summer break when concerts were temporarily allowed, which I gladly took advantage of. We completed The Art of Fugue and a few minor works in 2022. In 2020, there were twenty-one evenings, and in 2022, three. In the meantime, the overall dramaturgy was developed.<\/span>\u00a0For the most part, everything was recorded live to achieve the most natural result. We all know examples of extremely polished recordings that can sound lifeless despite being pleasant to listen to. In 2023, both interior and exterior commentaries were prepared and recorded. The visual post-production was especially time-consuming, particularly for Mr. Vojta.<\/p>

How much was it necessary to practice and register at Svat\u00e1 Hora?<\/span><\/em><\/p>

A humorously exaggerated answer might be that I visited so often that I started running into myself on the way there. Maybe a hundred times? Or more? I\u2019ve been going there often since 2018 when the organ was completed. The idea for a complete performance had been maturing for some time.<\/span><\/p>

How many steps must one climb to the choir?<\/span><\/em><\/p>

I didn\u2019t count. I only ran up once or twice, maybe three times. Mr. Vojta probably counted them, as he transported all the equipment up to the choir with the help of his sons. And likely Vladimir \u0160lajch, who, according to his words, nearly lost his breath while carrying individual parts of the organ and many pipes during the completion of the organ. Lastly, the organists at Svat\u00e1 Hora led by regenschor Pavel \u0160mol\u00edk.
However, it\u2019s not just about the number of steps; the staircase is narrow and winding. Plus, there\u2019s desperately little space at the top. In fact, when I first brought Mr. Vojta there, he immediately declared, \u201cWell, this definitely won\u2019t work\u2026\u201d<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Organist and organ builder<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tPeople sometimes confuse these two professions. So to clarify: the organist plays the instrument, while the organ builder constructs, repairs, or restores it. And also tunes it! It holds that an organist should at least somewhat understand the instrument, while it\u2019s a great advantage for an organ builder if they can also play well. Vladimir \u0160lajch is not only an organ builder and expert on organs and their history, but he also has an excellent overview of organ music literature. His decisions on how to best register a particular piece are determined not only by this knowledge but especially by his exceptional intuition. And that\u2019s something that can\u2019t be learned. He was present at all registration preparations at Svat\u00e1 Hora; his opinions and judgments about registration choices were crucial to the success of the project. After all, one can\u2019t fully assess all nuances from the console alone; listening from the church nave is essential.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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People love to peek \u201cunder the lid\u201d<\/span><\/p>

Curiosity is natural, and understanding \u201chow things are done\u201d can help potential followers with their projects. We answer inquisitive questions, but we don\u2019t want to reveal everything. There are know-how secrets that are highly valuable. Something important was reportedly revealed by Bach himself: \u201cAnyone who is as diligent as I am can achieve the same as I have.\u201d Yet he somehow overlooked the fact that talent is also important. And that one needs a bit of luck too\u2014such as in the people around them, their willingness, and kindness. Without their willingness to help, our project wouldn\u2019t have come to fruition. We express our immense gratitude to all of them in the credits.
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There are billions of people in the world. For most of them, \u201csome\u201d Bach is probably \u201cirrelevant.\u201d However, many people are not unfamiliar with his music. There are surely many organ interpreters\u2014thousands or perhaps tens of thousands? There are also many recordings of Bach\u2019s organ music. However, we can barely find a few dozen complete collections; playing all of Bach is challenging. Many of these are historical, while other complete sets are more recent, and new ones are still being created, primarily available on CDs or online. Surprisingly, although there are quite a few audiovisual recordings of Bach\u2019s works available, there has yet to be a concert-like collection of all his organ compositions.
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One can presume that there are two reasons for this gap. Firstly, given the circumstances arising from the state of our world, this undertaking regarding organs and Bach is significantly non-commercial in nature; secondly, the realization itself is extraordinarily difficult. Despite all the technical advancements in sound and video editing, making a larger number of cuts in audiovisual platforms is very impractical, even though audio alone has long been uncomplicated. Our solution, however, relied on an approach where cuts were limited to the bare minimum; in each piece, there are hardly a few, if any, usually due to repetitions of sections. Sometimes a plane flies by, or something begins to hang in the organ (a tone may be stuck) due to a recent storm that has suddenly increased the relative humidity, which the mechanical action of the organ does not appreciate. While the organs at Svat\u00e1 Hora are from 2018, they ideologically represent a kind of reincarnation of Baroque organs. Thus, they are purely mechanical. Vladimir \u0160lajch was inspired by old organ builders: Abraham Starck, Bed\u0159ich Semr\u00e1d, or Ond\u0159ej Kok\u0161tein from P\u0159\u00edbram. He also took inspiration from the traditions of Central German organs. The result is a unique instrument that sometimes challenges an inexperienced player but inspires and delights a skilled one. It\u2019s akin to a noble racing horse\u2014an average rider has no chance, while an experienced professional revels in it.\u00a0<\/span>J<\/span>it is similar to with a noble racehorse. An average rider has no chance, an experienced professional rejoices...<\/span>.\u00a0<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Footnotes from Jaroslav T\u016fma<\/h4>

The other day, I was standing in a tram and noticed the screen of a young man lounging in the seat below me. I was struck by how he surfed back and forth, watching nothing but short videos. Apple wireless headphones in his ears, clips with no coherence, ranging from cars and scooters to various bands, and comic skits. His attention lasted a maximum of five or six seconds for everything. Some videos clearly didn\u2019t engage him, so he switched away even earlier. It\u2019s said that this is not uncommon; many young people spend their free time this way. However, if future generations turn out largely like the consumer of ephemeral videos, then we are in trouble. It would be \u201cthe fall of the Roman Empire\u201d...

I recalled how some at Czech Radio claimed that programming must adapt to current trends and that only music segments of a maximum of three minutes can be included in broadcasts, as listeners can\u2019t endure anything longer and would rather switch the station. Should I only present the shortest and most digestible pieces to visitors at my concerts and consumers of my recordings? I believe not. Adapting to the abilities of the majority seems pointless to me. Modern physics says that anything that arises in the universe never truly disappears; it exists in some form forever. All religions think similarly. So I prefer to play for myself\u2014simply because what I do simply is...
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The paradox that arises from all this is that I don\u2019t need to care at all about what others think of my playing, how many people come to the concert, or how many listeners are fully engaged with the concert or recording. On the other hand, I truly desire for people to appreciate the beauty and the full content of the message I offer them. This is also because I need feedback, and I respond to it with my playing. Of course, I am sincerely grateful for it.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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JAROSLAV T\u016eMA Jaroslav T\u016fma (1956). V\u011bhlasn\u00fd koncertn\u00ed varhan\u00edk sv\u011btov\u00e9ho form\u00e1tu, profesor Akademie m\u00fazick\u00fdch um\u011bn\u00ed (AMU) a multiinstrumentalista. Hraje na cembalo, klavichord, pianoforte a dal\u0161\u00ed kl\u00e1vesov\u00e9 n\u00e1stroje, komponuje a publikuje odborn\u00e9 stat\u011b. Vystudoval Pra\u017eskou konzervato\u0159 a pot\u00e9 AMU, z\u00edskal prvn\u00ed ceny v cel\u00e9 \u0159ad\u011b sout\u011b\u017e\u00ed (Norimberk 1980, Haarlem 1986, Linec 1978, Pra\u017esk\u00e9 jaro 1979 atd.). Koncertuje a u\u010d\u00ed po cel\u00e9m sv\u011bt\u011b. Vydal 64 s\u00f3lov\u00fdch titul\u016f (Supraphon a Arta Records). Dal\u0161\u00ed informace na https:\/\/jaroslavtuma.cz\/. ALEXANDR VOJTA Alexandr Vojta (1966). Re\u017eis\u00e9r a v sou\u010dasnosti jeden z m\u00e1la skute\u010dn\u011b nez\u00e1visl\u00fdch tv\u016frc\u016f filmu a videa. Realizoval des\u00edtky z\u00e1znam\u016f hudebn\u00edch vystoupen\u00ed, pro \u010cesk\u00fd rozhlas vytvo\u0159il projekt v\u011bnuj\u00edc\u00ed se Star\u00e9 hudb\u011b, nato\u010dil n\u011bkolik hran\u00fdch film\u016f (Kandid\u00e1ti, rok 2010, 76 min, Krvav\u00fd parlament, rok 2012, 84 min), v\u00edce ne\u017e des\u00edtku dokument\u00e1rn\u00edch film\u016f (nap\u0159. Cesta k hudb\u011b, 38 min) nebo sedmid\u00edlnou satiru Mar\u0165asoviny. Se souborem Musica Florea nat\u00e1\u010d\u00ed autentickou interpretaci Anton\u00edna Dvo\u0159\u00e1ka.Provozuje multimedi\u00e1ln\u00ed projekty Tajemstv\u00ed t\u00f3n\u016f, Debatn\u00ed klub nebo Pivn\u00ed bedekr. Pozn\u00e1mky Jaroslava T\u016fmy pod \u010darou Jak dlouho trv\u00e1 nau\u010dit se cel\u00e9ho varhann\u00edho Bacha?\u00a0 Mn\u011b to trvalo kdysi cel\u00e9 roky. Nejprve b\u011bhem studi\u00ed na Pra\u017esk\u00e9 konzervato\u0159i a na Hudebn\u00ed fakult\u011b AMU, a po ur\u010dit\u00e9 pauze, kdy jsem se zab\u00fdval hlavn\u011b jin\u00fdm reperto\u00e1rem, pak je\u0161t\u011b dal\u0161\u00ed asi \u010dty\u0159i roky intenzivn\u00edho samostudia. Cel\u00e9mu Bachovu d\u00edlu jsem se pot\u00e9 v\u011bnoval b\u011bhem t\u0159\u00ed koncertn\u00edch sezon od podzimu 1990 do jara 1993. Souborn\u011b jsem tehdy v\u0161echny Bachovy skladby provedl ve dvou kostel\u00edch v Praze v r\u00e1mci jedenadvaceti koncert\u016f. Dodnes se mi st\u00e1v\u00e1, \u017ee potk\u00e1m lidi, kte\u0159\u00ed tehdy na m\u00e9 koncerty chod\u00edvali a vzpom\u00ednaj\u00ed. Jen\u017ee s Bachem stejn\u011b nejsme nikdy hotovi! Kdykoli m\u00e1me cokoli zahr\u00e1t znovu, pracujeme na tom d\u00e1l. Tak\u017ee spr\u00e1vn\u00e1 odpov\u011b\u010f zn\u00ed: v\u00edce ne\u017e pades\u00e1t let. Zda se ale ten \u010das v m\u00e9m p\u0159\u00edpad\u011b na v\u00fdsledku n\u011bjak pozitivn\u011b odr\u00e1\u017e\u00ed, to mus\u00ed posoudit jin\u00ed. Jak\u00fdm zp\u016fsobem a jak dlouho se na Svat\u00e9 Ho\u0159e nahr\u00e1valo? V\u0161echno krom\u011b Um\u011bn\u00ed fugy a n\u011bkolika m\u00e1lo drobnost\u00ed jsme stihli b\u011bhem covidu v roce 2020, re\u00e1ln\u011b \u0161lo o dev\u011bt m\u011bs\u00edc\u016f od b\u0159ezna do listopadu, ov\u0161em s letn\u00ed p\u0159est\u00e1vkou, kdy se p\u0159echodn\u011b mohlo koncertovat, \u010deho\u017e jsem r\u00e1d vyu\u017eil. Um\u011bn\u00ed fugy a p\u00e1r drobn\u00fdch skladeb jsme doto\u010dili v roce 2022. V roce 2020 \u0161lo o jedenadvacet ve\u010der\u016f, v roce 2022 o t\u0159i. V mezi\u010dase vznikala dramaturgie celku.\u00a0V\u00edcem\u00e9n\u011b se v\u0161e to\u010dilo live zp\u016fsobem, aby byl v\u00fdsledek co nejp\u0159irozen\u011bj\u0161\u00ed. V\u0161ichni zn\u00e1me dost p\u0159\u00edklad\u016f, jak jsou n\u011bkdy extr\u00e9mn\u011b vycizelovan\u00e9 nahr\u00e1vky pro p\u0159\u00edjemn\u00fd poslech m\u00e1lo \u017eivotn\u00e9. V roce 2023 byly p\u0159ipraveny a nato\u010deny interi\u00e9rov\u00e9 i exteri\u00e9rov\u00e9 koment\u00e1\u0159e. Nesm\u00edrn\u011b \u010dasov\u011b n\u00e1ro\u010dn\u00e1 byla zejm\u00e9na obrazov\u00e1 postprodukce, p\u0159edev\u0161\u00edm pro panu Vojtu. Jak moc bylo nutn\u00e9 cvi\u010dit a registrovat na Svat\u00e9 Ho\u0159e? R\u00e1doby vtipn\u00e1 odpov\u011b\u010f by zn\u011bla, \u017ee jsem tam jezdil tak \u010dasto, a\u017e jsem se po cest\u011b za\u010dal potk\u00e1vat. Mo\u017en\u00e1 stokr\u00e1t? Nebo v\u00edcekr\u00e1t? B\u00fdval jsem tam \u010dasto u\u017e od roku 2018, kdy byly varhany dokon\u010den\u00e9. My\u0161lenka na souborn\u00e9 proveden\u00ed n\u011bjak\u00fd \u010das zr\u00e1la. Kolik schod\u016f a\u017e na k\u016fr je nutn\u00e9 vy\u0161lapat? Nepo\u010d\u00edtal jsem. J\u00e1 jsem je vyb\u00edhal v\u017edy jen jednou \u010di dvakr\u00e1t, t\u0159ikr\u00e1t. Mo\u017en\u00e1 je spo\u010d\u00edtal pan Vojta, kter\u00fd na k\u016fr opakovan\u011b transportoval za pomoci sv\u00fdch syn\u016f ve\u0161kerou techniku. A patrn\u011b\u00a0i Vladim\u00edr \u0160lajch, kter\u00fd podle sv\u00fdch slov p\u0159i dokon\u010dov\u00e1n\u00ed varhan kv\u016fli vyn\u00e1\u0161en\u00ed jednotliv\u00fdch d\u00edl\u016f varhan i mnoha p\u00ed\u0161\u0165al m\u00e1lem vypustil du\u0161i.\u00a0A v neposledn\u00ed \u0159ad\u011b svatohor\u0161t\u00ed chr\u00e1mov\u00ed varhan\u00edci\u00a0v \u010dele\u00a0s regenschorim Pavlem \u0160mol\u00edkem.Ale ono nejde jen o po\u010det schod\u016f na k\u016fr, schodi\u0161t\u011b je toti\u017e to\u010dit\u00e9 a uzounk\u00e9. Nav\u00edc je naho\u0159e zoufale m\u00e1lo m\u00edsta. V\u0161ak tak\u00e9, kdy\u017e jsem tam poprv\u00e9 pana Vojtu p\u0159ivedl, tak on prohl\u00e1sil bez zav\u00e1h\u00e1n\u00ed: \u201eno tak tady to ur\u010dit\u011b nep\u016fjde\u2026\u201c Varhan\u00edk a varhan\u00e1\u0159 Lid\u00e9 si n\u011bkdy tyto dv\u011b profese pletou. Tak\u017ee pro po\u0159\u00e1dek: varhan\u00edk na n\u00e1stroj hraje, varhan\u00e1\u0159 jej stav\u00ed, opravuje \u010di restauruje. A tak\u00e9 lad\u00ed! Plat\u00ed, \u017ee varhan\u00edk by m\u011bl n\u00e1stroji alespo\u0148 do ur\u010dit\u00e9 m\u00edry tak\u00e9 dob\u0159e rozum\u011bt, varhan\u00e1\u0159ovou velkou v\u00fdhodou zase je, pokud um\u00ed na slu\u0161n\u00e9 \u00farovni zahr\u00e1t. Vladim\u00edr \u0160lajch je nejen varhan\u00e1\u0159 a znalec varhan i jejich historie, ale m\u00e1 tak\u00e9 vynikaj\u00edc\u00ed p\u0159ehled o hudebn\u00ed varhann\u00ed literatu\u0159e. Jeho rozhodov\u00e1n\u00ed, jak nejl\u00e9pe narejst\u0159\u00edkovat tu \u010di onu skladbu, je podm\u00edn\u011bno nejen t\u011bmito znalostmi, ale zejm\u00e9na jeho v\u00fdjime\u010dnou intuic\u00ed. A to je n\u011bco, \u010demu se ned\u00e1 nijak nau\u010dit. Byl p\u0159\u00edtomen na Svat\u00e9 Ho\u0159e u v\u0161ech registra\u010dn\u00edch p\u0159\u00edprav, jeho n\u00e1zorya soudy o volb\u00e1ch registrac\u00ed byly pro zdar projektu rozhoduj\u00edc\u00ed. Ostatn\u011b, od hrac\u00edho stolu ani nelze v\u0161echny nuance sluchem dostate\u010dn\u011b posoudit, poslech z kosteln\u00ed lodi je nezbytn\u00fd. Lid\u00e9 r\u00e1di nahl\u00ed\u017eej\u00ed \u201epod pokli\u010dku\u201c! Zv\u011bdavost je p\u0159irozen\u00e1 a pochopen\u00ed, \u201ejak se co d\u011bl\u00e1\u201c, m\u016f\u017ee pomoci p\u0159\u00edpadn\u00fdm n\u00e1sledovn\u00edk\u016fm s jejich projekty. Na v\u0161ete\u010dn\u00e9 ot\u00e1zky odpov\u00edd\u00e1me, ale \u017ee bychom cht\u011bli prozrazovat \u00fapln\u011b v\u0161echno, to zase nikoli. Existuj\u00ed know-how, kter\u00e1 maj\u00ed velkou cenu. N\u011bco d\u016fle\u017eit\u00e9ho ale pr\u00fd prozradil s\u00e1m Bach: \u201eKa\u017ed\u00fd, kdo bude piln\u00fd jako j\u00e1, m\u016f\u017ee dos\u00e1hnout t\u00e9ho\u017e, \u010deho j\u00e1.\u201c Jen p\u0159itom tak n\u011bjak nevzal\u00a0v potaz, \u017ee i m\u00edra nad\u00e1n\u00ed je d\u016fle\u017eit\u00e1. A tak\u00e9, \u017ee je t\u0159eba m\u00edt trochu \u0161t\u011bst\u00ed. Nap\u0159\u00edklad na lidi kolem sebe, na jejich vst\u0159\u00edcnost a laskavost. Bez jejich ochoty pom\u00e1hat by ostatn\u011b ani n\u00e1\u0161 projekt nevznikl. Velk\u00e9 d\u00edky jim v\u0161em jsou vyj\u00e1d\u0159eny v z\u00e1v\u011bre\u010dn\u00fdch titulk\u00e1ch. Na sv\u011bt\u011b \u017eij\u00ed miliardy lid\u00ed. V\u011bt\u0161in\u011b z nich je asi \u201en\u011bjak\u00fd\u201c Bach nejsp\u00ed\u0161e \u201eukraden\u00fd\u201c. Spoust\u011b lid\u00ed ale jeho hudba nezn\u00e1m\u00e1 nen\u00ed.\u00a0 \u00a0 \u00a0I varhann\u00edch interpret\u016f je jist\u011b hodn\u011b. Tis\u00edce nebo mo\u017en\u00e1 desetitis\u00edce? Mnoho je i nahr\u00e1vek Bachovy varhann\u00ed hudby. T\u011bch souborn\u00fdch ale dohled\u00e1me sotva p\u00e1r des\u00edtek, zahr\u00e1t ve\u0161ker\u00e9ho Bacha je n\u00e1ro\u010dn\u00e9. \u0158ada\u00a0z nich je historick\u00fdch, dal\u0161\u00ed komplety poch\u00e1zej\u00ed z doby ned\u00e1vn\u00e9 a vznikaj\u00ed nov\u00e9 i dnes, p\u0159ev\u00e1\u017en\u011b jsou\u00a0a budou dostupn\u00e9 na nosi\u010d\u00edch CD, nebo na webu. Ov\u0161em kupodivu, a\u010d i audiovizu\u00e1ln\u00edch nahr\u00e1vek Bachov\u00fdch d\u011bl je k dispozici tak\u00e9 docela dost, nikdy se zat\u00edm nejedn\u00e1 o koncertn\u011b pojat\u00fd soubor v\u0161ech jeho varhann\u00edch skladeb. D\u00e1 se p\u0159edpokl\u00e1dat, \u017ee d\u016fvody pro takovou mezeru jsou dva. Jednak vzhledem k okolnostem vypl\u00fdvaj\u00edc\u00edm ze stavu na\u0161eho sv\u011bta se jedn\u00e1 v p\u0159\u00edpad\u011b varhan a Bacha o po\u010din v\u00fdrazn\u011b nekomer\u010dn\u00edho charakteru, jednak je samotn\u00e1 realizace mimo\u0159\u00e1dn\u011b obt\u00ed\u017en\u00e1. P\u0159es ve\u0161ker\u00e9 technick\u00e9 vymo\u017eenosti v oblasti st\u0159ihu jak zvuku, tak obrazu, je toti\u017e velmi nepraktick\u00e9 prov\u00e1d\u011bt v\u011bt\u0161\u00ed mno\u017estv\u00ed st\u0159ih\u016f na platform\u00e1ch audiovizu\u00e1ln\u00edch, i kdy\u017e u samostatn\u00e9ho audia se u\u017e dlouho nejedn\u00e1 o n\u011bjakou obt\u00ed\u017e. Na\u0161e \u0159e\u0161en\u00ed ov\u0161em spo\u010d\u00edvalo v p\u0159\u00edstupu, kdy st\u0159ihy jsou omezeny na nejnutn\u011bj\u0161\u00ed m\u00edru, v<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-41","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/completeorganbach.com\/en\/wp-json\/wp\/v2\/pages\/41","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/completeorganbach.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/completeorganbach.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/completeorganbach.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/completeorganbach.com\/en\/wp-json\/wp\/v2\/comments?post=41"}],"version-history":[{"count":7,"href":"https:\/\/completeorganbach.com\/en\/wp-json\/wp\/v2\/pages\/41\/revisions"}],"predecessor-version":[{"id":126,"href":"https:\/\/completeorganbach.com\/en\/wp-json\/wp\/v2\/pages\/41\/revisions\/126"}],"wp:attachment":[{"href":"https:\/\/completeorganbach.com\/en\/wp-json\/wp\/v2\/media?parent=41"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}